I took a much needed day off to be alone and just wander, and what better place to do that than in Tampa’s cemeteries. I had several on my list that I had missed on my last trip, and decided to head in that direction. I needed to just stop thinking for a day.

My favorite of the several that I visited was not the most showy or ostentatious, quite the opposite, in fact. I had passed it back in February and was unable to see the name on the sign, I just saw the large, white mausoleum with Jesus on the front of it and knew I had to go back. It took me a bit of researching to figure out which one it might potentially be, but I found it, and went there after visiting Myrtle Hill (amazing), and Orange Hill (interesting). Marti Colon is not terribly large, and has a checkered past involving the city, the parks department, dumping of raw sewage, and a LOT of bodies that were not moved during the Columbus Road expansion and then a few more bodies that were moved improperly- stacked in graves one on top of the other. That’s a no-no unless the plot was sold to the family for that kind of burial. But when you go there, you’d never know it’s had problems. It was established in 1895.

The one family mausoleum at the front is huge and I’ve never seen one like it. First, the doorway was tiled in bright colors and there were no doors. Over the door was a very large plaster figure of Jesus with the stigmata on his hands. (I absolutely loved it, of course. It was amazing and only slightly ghoulish.) The windows were some kind of blurred glass that you could still see out of, and inside the ceilings were surprisingly high. There were niches in the walls for flowers and tributes, and the marble for the name plates was an unusual pink color. The niches had been painted a robin’s egg blue and were discolored from candles being burned in them over the years. One side held flowers and the other a dead plant. An old broom was in the corner. The windows on either side of the doorway actually had crank handles so that they could be opened. It was really remarkable and didn’t exactly remind me of a mausoleum, more of a house. Like you could put in doors and a couch and be good to go. I’m thinking the family must like that. The mausoleum was almost full.

The thing about the mausoleum that really struck me though, besides all that I’ve mentioned, is that the light inside was extraordinary. It was perfect for photos; I’m not sure if it was the blurred glass or the high ceilings, or the reflective tile floor, but it was really beautiful. I stayed in there a long time, just looking. Finally, I walked out to see the larger mausoleum. It was flat and wide, dark on the inside, and I felt a need to duck going in. It had skylights throughout the central section that gave it an eerie feeling with lots of shadows. I can’t say I’d want to be in this one on a rainy day. Tributes were scattered all over the floor and at the end of the main section was a broken stained glass window that had been of some religious figure. My guess would be Mary. One hand was left in the glass, perfectly detailed and holding a flower stem, while the rest of the figure was gone. It needed a good mop, broom, and bucket of paint. It was just dirty and sad, in the way of homes that get run down because the occupants can’t afford to replace things as they get old or break. I flipped the light switch praying for the lights to come on, but the electricity had probably been turned off for years. I walked out to look at the gravestones.

Like the other cemeteries in Tampa this one was full of photos on the graves. It’s one of my favorite things about visiting this area. The Spanish, Cuban, and Italian immigrants loved their fancy graves and rituals. The photos mean that you will usually see at least one post-mortem while visiting the cemeteries, and I saw what I thought was one in the back, but Maryanne said she didn’t think so. Hard to tell on that one. They always startle me a bit, but it’s either something you love or something that makes you shiver. I usually like them.

 

I was following a path through the graves and looking down at one grave at a time as I walked when I saw a small handmade marker. Baby Sanchez June 16, 1961, Love Mom and Dad. The phrase had been scratched into the concrete with a nail or sharp tool, and I got down on the ground to take a closer look. I thought about the parents that must have made that and what they felt like at the time, and then I saw another one. And another. There was an entire row of the handmade markers, all in the same hand, and all identical otherwise aside from the dates and names. The parents had not made them. One person in the community had made them for the families that lost children for several years. And then I took a closer look around and saw that I was standing in Babyland.

I don’t willingly enter these sections anymore, and I felt something akin to fear grip my heart when I realized where I was, so I looked at one other grave that caught my eye and then went back to the pathway to view the section from there. The babies were under large, shady trees and the graves were so tiny, and some quite ornate. In the back I saw one that had small toy truck left on it, which amazed me as it looked fairly old. I made my way back to the front of the cemetery.

This is one that I’ll be going back to in the next month, and bringing a few cemetery-loving friends for an outing. I’m also interested in viewing the records on some of the families there. It’s a little run-down, but I think that’s exactly what I liked about it. I doubt it has many visitors since I saw little evidence of recent visits like fresh or new flowers and cards. Instead, like the cemetery itself, everything was worn, slightly faded, and had seen better, brighter days. But to me, that made it glorious.