I saw this church while we were on our way to Boone, and I looked at Shawn and said, “I’m sorry, but you have to stop.” The sun was going down and we didn’t have much time, but I really wanted to see it.
So he stopped. We walked around for almost 30 minutes, took pictures, and looked in the windows. Country churches have always had my heart. I think it’s the idea of people gathering in a place where it was most likely their only chance to interact with their community once a week, because the rest of their lives were devoted to hard work on their farms, or taken up with other businesses. But I also think that you can feel devotion in these places. Devotion to God. To gathering together. To building a place by hand for this to happen.
In my wanderings I’ve seen many small country churches, but this one stood out because it was quite primitive, with no steeple and a simple graveyard in the back of the sandy lot. I was so excited when I got out of the car I didn’t know what to look at first- the church or the graves.
I’m sure you know which one I headed for first.
Four small graves toward the front were marked with stones and had small pebbles covering them. They were child sized, and all quite close together. Toward the back we began to see taller gravestones that had beautiful elaborate text, all with the same scroll pattern at the top. Many of the dates could not be read, sadly, but it was still wonderful to see them, especially since they were most likely created by the same hand.
I walked back up the lot to the church and stood at the front door. The white paint had turned a creamy peach color with the setting sun hitting it and it was just beautiful. I could hear the wood popping and creaking as I stood there on the new ramp they had built to cover the old stone steps leading into the church. But then I noticed a large crack between the two doors, which were closed with a simple padlock. I leaned forward, put my eye to the crack, and looked inside. The pews looked original, and they were dark with age. The church also didn’t appear to have electricity since there were gas lanterns hanging on the walls to provide light. It wasn’t a huge space, but the simplicity of the design and the white walls made the place seem calm and peaceful. Everything stood out on its own; you could see the separate elements.
But the smell! The smell of sunshine on old wood! It was incredible- strong and aromatic. It reminded me of being a kid and climbing up the hay bales to the top of the tobacco barn that my grandfather had on his property. I would lay on top of the bales and breathe in the scent of the wood and the hay, and I would listen to the creaks and moans of the old building, and splatters of rain on the tin roof. The smell of this tiny church took me right back there. The church faced a busy road and I know anyone driving by would see a woman pressed against the front doors, her face wedged as far into the crack between the doors as possible, but I didn’t care. I stood there until Shawn came up and asked to peek.
While he looked I walked over to look into the wavy glass windows to see inside a little better. I was on my tiptoes, and I noticed that in the pulpit there was an ornate upright piano and a painting of a bearded man hanging on the wall. My guess was that he was Joseph Huntley, the builder, because it sure wasn’t the Lord.
The church was built in 1902 and Joseph Huntley was buried out back, I had been standing next to his grave when I took some of the photos. If I have the right Huntley, he didn’t get to enjoy his church very long. He died in 1903, a year after the church was completed.
I did read that the church is no longer in use on one website, and that it has services once a year in June on another website (Find A Grave).
Earlier this year Caroline and I were driving back from Richmond on a cloudy afternoon and I was looking out the car window, watching the scenery whiz past. There were some woods, and then suddenly a vast cornfield with a very old, weathered church at the back of it. The crops came right up against the church, which had a small steeple. Most of the windows seemed to be gone. The white paint had peeled off with years of storms, snow, and sun, but to me it was absolutely perfect. We thought about turning around to try to stop and get photos, but it would have been difficult since it was literally right off the highway.
Most people have what I call a Million Dollar Dream. Its the one that starts with- If money were no object… and it goes from there. I never wanted a huge house or a Maserati, I’m happy with my education, and I think I have enough jewelry. My splurge would be on an old building- historic, really. Research. Restoration. Maybe a chunk of land. Advertising. Then I’d turn it into a memorial center for funerals and give the proceeds to…somebody.
Earlier this year one of my friends was hospitalized, and we had no idea what was wrong for a few days. It was terrifying. One night after visiting the hospital I knew I couldn’t make it to my car before I started crying. I knew where the hospital chapel was though, and I went for it. Even though it had lamps, there were still fluorescent lights buzzing away overhead and the chapel was full of industrial chairs turned in all different directions. I sat for awhile, thinking about how I might have felt better braving the stares of others and heading to my car anyway. Modern spaces are a fact of life, but not necessarily a comfort, and I understand that facilities do their best with their funding and their corporate regulations. But still…
I think that if you go though something traumatic, it just might help ease the pain somewhat if you sit in a place that hundreds have sat in before you, and you can feel the weight of all those years, and prayers, and ancestors surrounding you. I’ve never once felt like that in a modern church, no matter how much I love the pastor or how many people attend, but I know that some other people do.
But…not me. If being in an old space comforts me in some way, it might comfort others as well when they need it most.